Имея баритон нужно петь вот это:
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1st clip - low G# and A (G#2 & A2) from "Slave To The Dark" live version.
2nd clip - low F (F2) from "A Question Of Heaven" (studio version only!).
3rd clip - low E-flat (Eb2) from "Scarred" (studio)
4th clip - high G (G5) from "Travel In Stygian" from "Alive In Athens" (better than studio version).
5th clip - high G# (G#5) from "A Question Of Heaven" studio (only F# in Athens version).
6th clip - high A (A5) from "Blessed Are You" off of "Alive In Athens" (not in studio version).
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0:00 - Singing strong G♯2s in "Dante's Inferno"
0:30 - Answering himself with F2s in "Reaching the End"
0:40 - Speaking down to E♭2 with lots of whisper in "Diary"
0:58 - Strong spoken E♭2s from "Scarred"
1:07 - Chanting down to F2 in the live version of "Dante's Inferno". This is out of order, sorry.
1:25 - More E♭ chanting, dipping down to D2 in the studio version.
1:52 - Speaking down to D2 in "Cast in Stone"
2:12 - VERY strong D2s in Pyramaze's "Year of the Phoenix"
2:27 - Very dark slide to C♯2, Barlow's lowest full note, in "Creator Failure"
2:39 - Another resonant C♯2 in the background from "Damien"
2:51 - Two short passages from "Reaping Stone," first hitting a growly C♯2, then a fry F♯1!
3:11 - On to highs: Singing strained B♭4s in the chorus of "Creator Failure"
3:27 - Belting more B♭4s, ending on a great sustained G♯4, from "Life and Death"
3:52 - Soulful B♭4s, trilling up to B4 from "Watching Over Me"
4:26 - Singing easily up around B4 in "Birth of the Wicked"
4:57 - First up to B4, then sustaining a C5 in the fantastic chorus of "Burnt Offerings"
5:24 - Singing C5s in the even fantastic-er chorus of "A Beautiful Death"
6:02 - Very powerful C♯5 phrase, with one E♭5 in "The Highland"
6:15 - Lots of C♯5s from the cover of "Hallowed Be Thy Name"
6:52 - More strong D2s, followed by emotional singing ending on a sustained D5, from "Caramon's Poem"
7:23 - Gritty A4 sliding into a powerful D5 from "Highway to Hell"
7:40 - One quick F5 to a sustained D5 in "Year of the Phoenix"
7:55 - Several clean C♯5s, ending on a great E♭5 in "Cast in Stone"
8:14 - Angry singing up to E♭5 from "Burning Times"
8:28 - The verse of "Dracula" sung on airy E♭5s
8:52 - A powerful phrase around C♯5 with several E♭s from "Come What May"
9:26 - Chesty E♭5s, with the final one sliding up to E5, in "Screaming for Vengeance"
9:46 - A light, passionate E5 from the end of "I Died for You" live
9:57 - A line sung around E5 before another one starting on F5, from "Ghost Light"
10:19 - A fantastic sirenic F5 from "Year of the Phoenix"
10:32 - Powerful singing up to E♭5s, ending with a piercing F5 from "Travel in Stygian" live
10:54 - Now to falsetto: A couple of rather wobbly F♯5s from "Winter Nights"
11:16 - A slightly stronger F♯5 from the end of "Nightmares"
11:28 - A powerful falling G5 from "Travel in Stygian" live
11:43 - An unusual phrase for Barlow, singing shrill G5s in "Creator Failure"
12:18 - A LONG G♯5, over an F4, B♭4, then F5 from the re-recorded "Setian Massacre". The harmony in the verses goes up to F♯5!
12:32 - The incredible climax to "A Question of Heaven", singing up to E5 before a breathtaking sustained G♯5.
12:57 - Equally incredible climax of "Come What May", with an entire line sung on G♯5
13:26 - A line around D5, then a falsetto G♯5 trilling to A5 several times from "Burning Oasis"
13:50 - A piercing, divebomb A5 from "Blessed Are You" live
14:07 - From "Wolf", several screamed F♯5s, with a harmony B♭5 (Barlow's highest note) on the last one.
14:19 - Another harmony B♭5, sustained(!) over a G♯5 from the Iced Earth cover of "The Ripper"
